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Saturday, 23 June 2018

Scrappy Mesh & Vinyl Pouches

Scrappy Mesh & Vinyl Pouches by eSheep Designs
A small vinyl pouch for virtually anything!

... or Three Projects for the Price of One


Do you have any pre-quilted scraps from non-traditional (i.e., not actual quilts) quilting projects? Here's what you can make with them.

When I showed you the last remaining remnant from my quilted accordion pouch project, it was the final bit left over after making my Out & About Crossbody Bag.

The rectangular piece was roughly 3.5" x 15". On a whim, I sliced it in half and proceeded to transform it into two small pouches with mesh and vinyl front pockets.

They are useful to keep track of small things like buttons and clips. Or maybe the small tools for servicing your sewing machine.

The mesh is recycled from a discount store purchase of a drawstring laundry bag. You may have seen some of the navy mesh when I tested out my Bundled Up Bindle Bag pattern.

When I originally bought one in bright pink as well, I wondered if I would ever have a need for that colour... and yet here we are.

Two pieces, roughly 3" x 7.5" each...

The vinyl is also from my supply stash; I bought a yard of it some time ago and it has appeared on various projects, most notably this travel toiletry tote.


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With those materials accounted for, all that was left was to determine if there was still enough bias tape left over from the Best Nest Organizer Basket. I did some quick measuring and discovered that I probably had just enough.

Scrappy Mesh & Vinyl Pouches by eSheep Designs
One with a mesh top, one with vinyl...

For closures, I used a couple of super adhesive hook and loop tape circles that were originally from a dollar store. (As it turns out, the adhesive does not hold very well on the mesh product; I resolved that problem with a carefully placed dab of hot glue.)

Scrappy Mesh & Vinyl Pouches by eSheep Designs
Close up of the mesh and velcro closure...

After removing the drawstring from the laundry bag, I decided to use the original drawstring channel as the top of the pocket, thus avoiding having to run some bias tape around the top edge like I had to do with the piece of vinyl.

Scrappy Mesh & Vinyl Pouches by eSheep Designs
Cutting and prepping the mesh and vinyl pocket pieces...

Clips were my friends here, to keep those small pieces of mesh and vinyl in place as I prepared to attach the bias tape all the way around.

Scrappy Mesh & Vinyl Pouches by eSheep Designs
Wrapping the bias tape all around the perimeter, using a technique to produce perfectly mitred corners...

Making the Out & About bag and now these pouches has taught me how to turn mitred corners with double fold bias tape. It had been a complex mystery to me before, but now it's second nature. (I won't bother describing how I did it, since there are numerous resources online that will show you much better than I could.)


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Halfway through, I realized that since this is more or less only a single layer of a quilt sandwich, I should modify my seam allowance. Instead of 3/8", I went with a 1/2" on the second pouch, and the binding turned out much nicer.

Scrappy Mesh & Vinyl Pouches by eSheep Designs
I literally had just enough binding to finish this pouch!

If I were to make these again, I would probably round off the corners of the flap. After all, this was bias tape and would have performed quite well on curves.

But I was crafting on the fly again, running with an idea that was fresh on my mind. (And — to give credit for where the idea germinated — it occurred to me after seeing another of Caroline's projects at SewCanShe. She had made some zippered pouches using mesh and vinyl.)

Scrappy Mesh & Vinyl Pouches by eSheep Designs
See the difference in how the binding looks on the two flaps?

These little pouches did not cost me anything more than my time to make. Everything that I used was "left over" or already in my possession. That's always a great feeling.

An even better feeling came from the realization that I had used up virtually all of that "wow, that's a lot of wasted material" from the quilted accordion pouch. Hugely satisfying.

What's left now? This little square.

Scrappy Mesh & Vinyl Pouches by eSheep Designs
My final remnant...

I'm okay with that so, yeah, I'm done. ;-)


Saturday, 16 June 2018

My Makerist Conundrum

A new place to sell PDF patterns...
Back in March, Daryl from Patchouli Moon Studio wrote about participating in a $2 sale at a new (to me, anyway) site called Makerist. I was intrigued and asked what Makerist was. Turns out it's an online marketplace that sells PDF patterns. Apparently the company had reached out directly to her to invite her to become a designer and sell her patterns on the site.

In brief, Makerist is the brainchild of a couple of people in Berlin, Axel Heinz and Amber Reidl. Founded in 2013, Makerist's mission is to "bring more joy to crafting — by making traditional crafts more modern, accessible, simple and fun."

Angela Jardine Fritz Frog crafted by eSheep Designs
Fritz Frog...
I visited their site, filled out a short form giving my particulars and waited. I think it took about a week for me to get a reply; they need the time to evaluate each application and judge suitability, which I totally understand. When I finally set up an account, it was during the $2 sale event, so the story ended up being that I became a Makerist customer instead of a Makerist designer. [By the way, for those of you who missed the original sale, the Fritz Frog pattern is again available for $2 until June 17.]

Unlike the relatively simple process of selling patterns on Craftsy, Makerist makes you jump through many hoops before you can upload a single pattern for sale. This is because after the initial approval, you have to enter into a contract with them, a multi-page "document" that is not insignificant, with wording that requires serious consideration.

Let's put it this way: I received confirmation of my contract acceptance on April 6 and two months and ten days later, I still have not uploaded a single pattern to Makerist. Instead, I'm finding the time to write this post.


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Not So Simple for Designers


Purchasing from Makerist was indeed painless and simple. The Makerist Ts&Cs for designers, however, are not so simple.

The following is taken directly from their designer contract:
The Designer may promote their own brand on their Makerist profile. They may also mention their brand or website in their Products. However, for aesthetic reasons, URL addresses, email addresses, copyright, names or logos should not appear on the first picture of the Product.
This is reinforced by a bullet point that says that the designer will provide "at least two photos of the Product with at least one for the finished Product, without text or logo on the picture for communication reasons".

Logo branded
Makerist listing...
Unfortunately for me, I took the time to brand my PDFs from the beginning. There is not one that does not have my URL on the front cover (which I assume constitutes the "first picture") and only the very first one doesn't feature my logo. As for product photos, I spent a lot of time putting my logo on those shots and to have to go back now and remove them — and have them be available online in that state — is giving me pause.

From the very beginning, I didn't like the idea of having the first page of my PDF being "hijacked". (I was able to see an example of it for myself, of course, when I purchased the Fritz Frog pattern.) As a document designer long before I became a sewing pattern designer, I am quite picky about the "look and feel" of my documents and prefer them to be consistent... and mine.

Another logo
branded listing...
The fact that they will go in and change each PDF represents a loss of control that I am — at best — ambivalent about. And yet, on the one hand, if I give them the right to edit my PDFs in order to add their own front page, why can't they just do that without me having to go in and remove branding from my existing cover page? See the conundrum?

Moreover, when I browse their site, I see some brands that are clearly identified. Right here and above, are two examples of listings that show logos.

Are exceptions being made for some designers?

The Financial Nuts and Bolts


The big benefit is that there'll be no accounting headaches if you work with Makerist. Everything is handled by them (including that European VAT tax that most of us totally ignore) and payment is made to the designer's PayPal account mid-month for the past month's sales. Currently, they take a 15% commission on all sales, which by all accounts, is more than fair for this kind of setup.

However, as with all startups, this may — will — change in the future. This is from their current agreement:
This 15% commission rate is a launching rate and thereby subject to change at any point. In the case of a rise or fall in the commission rate, Makerist will provide a 4 week notice period before the change is implemented.
The boldface print is theirs.

Given my current procrastination and indecision, I suspect that if I ever do get on board with them, the 15% commission will probably have changed.

But on the whole, the entire transaction process of selling patterns and getting paid should be simple.

Sales and Promos


Makerist seems to be big on sales and promotions, which is mostly a good thing. I have a standing offer to pick a weekend where they will promote my patterns (via all of their social media platforms and newsletter) by offering them at 40% off and run a feature on me on their blog. Yes, that sounds like a big deal and it's probably more notoriety than I can handle. ;-)

Here's the thing: I am loathe to offer sales on my patterns apart from special pricing at initial launch. (I'm pretty sure I've only done a "sale" twice, involving three of my patterns.) To me, relying on sales means my regular price is a bogus price. It's like Craftsy and their class sales... why would anyone ever pay regular price for a Craftsy class?

For my own patterns, I'd just mostly feel bad for those people who purchased at regular price, to see something they bought go on sale.

That said, there are probably a lot of people who would love the opportunity to be featured as a Makerist designer, so that is another definite advantage to being a part of their marketplace.


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Technology Concerns


Having been employed in the tech field, I am perhaps overly nit-picky about small "irregularities" that I encounter on websites and on communications from online companies. So let me admit that up front. Certainly your mileage may vary in that these things may not tweak you at all.

For example, I find it mildly irritating that so many links on Makerist open up a new tab. See this?

Many, many tabs result from browsing Makerist's site...

That's just not great web design.

Then there is the — should I call it "interesting"? — way in which they provide documentation to their designers. You'd think since their whole business is about PDFs that they would "PDF" all of their own documentation. But no; I received instructions on how to upload patterns via a couple of .JPG files. That's right, they took a virtual snapshot of a list of instructions and saved it as an image file. (And I have to tell you, it's cumbersome to scroll through an image file to read something.)

It's almost like they feel overly protective about their words and descriptions, which leads me to another oddity from their website. On their About Us page, the text cannot be selected (i.e., copied). I was going to snip some for the purpose of my introduction for this post and found that I had no way of doing so (short of taking a picture).

Finally, as a proof reader and editor, I have a hard time with what I call "lazy" mistakes. Below is a screenshot of the third page in a row that asks me to validate having read "the third article" when in fact, this is now the fifth article. (This is from their contract; that whole Validation section was cut and pasted from the third screen onto the fourth and fifth screens.)


Don't get me wrong, I'm quite big on CTRL-X and CTRL-V. Love cut and paste. But the number one rule of using cut and paste is never to leave behind evidence that you've used cut and paste.

Then there's that "Makerist'rights and mine" bit of wording. No one noticed that on multiple screens?

Some may call these petty criticisms that have nothing to do with the actual business of Makerist. And that may be a fair statement. Or maybe not.

The thing is, a business encompasses everything that it does from A to Z, whether or not the public can see it. While I fully acknowledge that my reluctance to commit to the designer Ts&Cs has made the above distractions more significant in my eyes, I always wonder when I encounter these kinds of issues: is there something that I don't see that's even worse? It's why I'm iffy about letting Makerist into my PDFs... I won't be able to see what they do to them, so how do I know they'll be "good"?

The thing is, while I've been looking for an option beyond Craftsy for selling my patterns, I have to go back to the fact that this is not my career. I'm not looking to strike it big and make a lot of money. It may seem somewhat disingenuous to say that it's not my goal to sell more patterns, but perhaps doing so via Makerist just isn't right for me.

I'm conflicted... therefore, the conundrum.

Thoughts?


Saturday, 9 June 2018

Customizing a Free Fabric Wall Organizer Pattern

Hanging File Organizer crafted by eSheep Designs
My fabric wall organizer hanging from the side of my desk...
As a Spoonflower designer, I like to check out their blog and keep up with posts on a regular basis. Recently, after filtering those posts by sewing tutorials, I came across a project that I had somehow missed, from September 2015.

It's a fabric wall organizer designed by Sara of Radiant Home Studio (link at the end of this post). It's sized to hold regular file folders.

What you see here is my "hacked" version; or, as I prefer to put it, my customized version.

The original uses a lot more Peltex stabilizer and comprises three pockets instead of two. In exchange for not wasting a whole slab of Peltex on the back panel, I chose to put some of my blanket remnants to use and quilt the whole thing instead.

Fabrics are three selections (Dictionary in red, Butterfly in red, and Red and Tan Stripes Ticking) from the Tim Holtz Eclectic Elements fat quarter bundle that I purchased earlier this year, as well as a bed sheet that had previously been used as a bag lining.

Three Tim Holtz fabrics that were used (the colour of that stripe fabric is a little off in this pic)...

The stripe fabric was just screaming to be made into bias tape, so that's exactly what was done to it.

Tim Holtz fabrics
Got about 4 yards of continuous bias tape from a fat quarter...

Instead of using one fat quarter for each pocket, I decided to bring a bit of symmetry into the design by splitting up the fabric and using half on each pocket. It's a technique that can be helpful when you're making something with just fat quarters. Multiple fabrics can be joined together and then sliced up to create "matching" pieces.

I'm not overly fond of the fabrics in this particular shade of red, but they all go together and — along with the beige-y bed sheet — are a good match for my desk.


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Going Smaller & Using Less Peltex


Let me preface by saying that the decision to make the organizer with just two pockets was primarily to avoid a frustrating sewing experience. I absolutely knew that making it in its original dimensions (36" long with three pockets) would be unpleasant, especially if I had to fight with all of the Peltex in the three pockets.

Fortuitously, I wanted this organizer to hang from the side of my desk, which will only accommodate a 24" long version; i.e., one with two pockets.

Hanging File Organizer crafted by eSheep Designs
Totally happy with how my customized version turned out...

Even though there was no Peltex in the back of my organizer, it was still a little bit unpleasant having to fold and compress the item while sewing on the pockets. So there you have it, full disclosure: this project had its moments of unpleasantness despite my changes.

[Although, I made a second one that's even more customized and figured out how to sequence the sewing so as to minimize the "scrunching". I'll be turning that version into a tutorial to be posted later this summer.]

Hanging File Organizer crafted by eSheep Designs
Back view with my crazy quilting...

For the main panel, I opted to quilt together two pieces of the bed sheet fabric and a blanket remnant, securing the layers with fabric glue. I then slowly quilted from the middle out to the edges.

Way Easier Pocket Construction


Apart from reducing the size of the back panels from 14" wide x 36" high to 14" x 24", I also changed up the dimensions of the pocket pieces slightly.

The original called for a 17" square and a corresponding 1" strip from each fat quarter. I used an 18" square. (Each of which was then sliced in half vertically and sewn to the other with a 1/2" seam allowance to achieve my "matchy-matchy" look.)

Tim Holtz fabrics
My half and half pocket pieces...

What was the purpose of the 1" strip? The original pattern instructions had the pocket pieces merely folded in half, top-stitched along the fold and then positioned on the main panel with raw edges exposed along the bottom of the pocket. The 1" strip of fabric was folded into a trim piece that would then be sewn on top of the pocket's bottom edge, to secure the pocket as well as to hide the raw edges.

That seemed like a totally unnecessary extra step, so my solution was to cut the piece larger to begin with (i.e., use the entire 18" available from a fat quarter) and then use that extra inch of material to sew a seam in the bottom.

Tim Holtz fabrics
There is no rule that says a seam must be located along an edge...

And speaking of "the bottom", did you know that just because you have a seam, there is no rule that says it must run along an edge? As shown in the picture above, after I sewed the seams and turned the pocket pieces right side out, I rotated the resulting tube of fabric until I found the best looking front side. (Since the other side of this assembly is the inside lining of a pocket, it hardly matters that there is a horizontal seam running across it.)

A piece of Peltex (cut per the original dimensions of 13" wide x 8" high) was then slipped inside this tube, centered left to right, and butted up against the top fold line before fusing. (I only had single sided fusible Peltex, so I put the fusible side to the pocket exterior.) The top edge was then top-stitched and the sides prepared per the original instructions.

The project is fairly easy to put together this way. Once the pockets had been basted along the sides onto the completed back panel, I ran a row of stitching along the bottom edges of the pockets to secure them.

Hanging File Organizer crafted by eSheep Designs
A less complicated method of finishing the bottom of each pocket...

Easy-peasy. No need to struggle with keeping long, narrow pieces of fabric in place on top of a large, unwieldy surface.

And for the record, you don't have to worry about the thickness of the Peltex along the bottom because it doesn't extend down that far.


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Hanging File Organizer crafted by eSheep Designs
Side view...
All that remains after the pockets are secured is to round off the corners of the back panel and bind the entire perimeter.

Again, I found the size of my reduced version daunting enough, having to move this big piece around while trying to stay straight... or curved, as is the case around the corners.

Fortunately, binding is fairly forgiving during the first step of installation. Whenever I found myself slipping away from my intended seam allowance (3/8"), I would literally release the presser foot, move everything back up to where I started to stray and start sewing again. The beauty of it is that this sort of mistake does not show up at all in the final stitching.

Because Peltex is not immune to creasing, I would suggest that if you make this organizer the way it was intended — i.e., the 36" long version with full Peltex backing — you may want to choose fabrics with busy prints that would hide any creases. I steamed and pressed the whole thing after completing it, but I can still see areas on the pocket panels where I know the Peltex had been bent.

The organizer is finished off with a couple of grommets at the top corners.

All that's left is to find some hooks that will fit through the grommet holes. If that's a problem, you could thread a long length of cording through both holes to hang from one hook, or thread smaller lengths of cording through each grommet.

My "not so great" adhesive hooks...

These hooks did not hold up the weight of the filled organizer. I ended up removing the adhesive pads and hot gluing them!

Summary of Changes


So, here is a quick rundown of what I changed:
  • Reduced length of back panel from 36" to 24" (left the width unchanged at 14") as part of overall change to 2 pocket styling from 3
  • Cut my pocket pieces as 18" squares, as opposed to 17" squares with a corresponding 1" strip (note that had I not wanted to split the fabrics in half and join them, I would have cut the fabric at 17" wide x 18" high)
  • Sewed a seam into the pocket piece so it could be attached to the back panel directly
  • Omitted Peltex from back panel and quilted it instead

I also have two more suggestions. The first is that no matter what size you make this — but particularly if you go for the full size — consider using a nondescript (or recycled) fabric for the back side of the back panel. No point in wasting nice looking fabric for something that will never be seen by anyone, since this hangs against a wall.

Second, take the time to make your own bias tape with a colourful fabric. (Stripes are always a good choice as they become diagonal when cut on the bias.) An interesting binding makes a big difference to the overall appearance of the organizer and — to be honest — allows you to use a relatively plain fabric for the backing. Let's face it, the pockets (and eventual file folders) will hide the majority of whatever fabric you use on the back panel.

What will I be using my file organizer for? Well, my waxcloth folder will have a new home, clearing off some valuable desk space since my Varidesk unit takes up so much of my desktop. In fact, any papers that used to get tossed onto my desk are now put into a file folder. (I just have to remember to look at that stuff on a regular basis.)

In the sewing room, this can definitely be a great option to organize printed PDF sewing patterns.

Or... do you know anyone heading off to college this fall? This would be a useful gift for someone living in a dorm room. Look for a tutorial later this summer for a version that I made for a recent high school graduate.

In the meantime, you can find the particulars for this project on Spoonflower's blog here.


Saturday, 2 June 2018

Repurposing a Bunch of Belts

Who can resist a belt for a  buck?
Last week, I showed you my Out & About Crossbody bag, which had a chain strap made out of a repurposed belt. Interestingly enough, it wasn't the first time I'd used a belt as a purse strap.

Both of the test bags for my very first bag pattern had straps that were originally belts. One was a skinny self belt from a pair of black pants and the other was a chain belt.

My recycled belts on various bags...

This orange MyTie also features a belt used as strap. And in a bit of different belt recycling, I took links from a chain belt to use as the rectangular rings (to attach the strap) on my (Betz White) Flight Bag.

A few months ago, I picked up several belts for a dollar each at a discount store. Originally priced at up to $9 apiece, they were mostly chain style belts that I figured could be configured into purse hardware.

Two others (including the one pictured above) were bought for the purpose of being belts for now. I thought this brown one was pretty snazzy. When I'm no longer interested in it as a belt, I'm sure that tassel will find a home somewhere.

This white one is also currently being used for its intended purpose. Recognize it?

White flower belt is currently a belt, but I had to remove two "links" from it...

I had to take off two of the flowers to get the right fit, so one of them ended up being the bling on my Out & About bag.


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The belt that was repurposed as a strap for the Out & About bag originally had some extra things dangling from it.

A buck yielded three distinct elements from this belt...

The dangling elements will one day be turned into simple bag bling or zipper pulls.

Tassels are popular bag bling...

So this single dollar item gave me a length of chain and two zipper pulls. The chain wasn't long enough by itself for a crossbody purse strap, however, so I went to a second belt.

A long (plain) chain belt...

This one was purchased specifically for the fact that it could be used to lengthen other more elaborate chains when used as a purse strap. After some work with a pair of pliers, this is the actual strap that was used for the Out & About bag.

One belt plus a little bit of help...

This black one is rather elegant. The style of the chain portion of it is essentially the same as the white one above, but the "dangling bits" are a lot fancier.

Lots of pretty bling to harvest from this belt...

This one is a bit different. The belt closure looks like it would be an interesting purse flap closure. (Much as I dislike purse flaps.)

A metal belt buckle that might look nice on a purse flap...

Then again, I may keep it as a belt...


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This final one is made out of elastic with a bunch of silver-toned metal links and closure.

This yielded 8 metal links and a closure...

Not only is the black elastic a useful addition to my stash of sewing supplies, the hardware has a lot of potential. For example, the links can be used like rectangular rings to attach bag handles.

The closure attaches with screws...

It's usually expensive to buy metal hardware that secures with screws, so I'm quite happy with how much I salvaged from this belt.

Not bad for a total of $7, huh?