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Saturday, 30 May 2015

Can Creativebug Compete?

Creative Video Workshops on Creativebug.com DISCLOSURE: This post contains affiliate links.

There has been a new sponsor on my sidebar these last four months: Creativebug.com. I came upon it while doing a search for craft related affiliate programs a few months ago and was mainly impressed with what I saw. (I would only join an affiliate program if the merchant's product(s) makes a significantly positive impression on me.)

Although Creativebug is no longer a young operation by internet standards (launched in May 2012), it is still apparently working out some "bugs" — appropriately enough. (Specifically, I found the site's customer service area and FAQs extremely lacking and not current.) I'm sure that Craftsy — which only pre-dates Creativebug by about nine months, a fact that surprised me — had similar hiccups but, well, look at it now. Of course, I bring up Craftsy because that is the instant comparison that's going to be made when someone first takes a look at Creativebug.

The similarities are obvious. They are both crafting sites that offer a variety of lessons on video to feed the creative soul. Free content is available and is of sufficiently high quality. Both sites have blogs that highlight new content and promote specific learning opportunities. Both offer giveaways/contests to encourage user participation and bump up social media activity. (Creativebug actually gave away two Samsung tablets late last year when they launched their Android app.)

On the internet, free is always good, but quality is what keeps a customer. I was suitably impressed by some of the free stuff that I saw on Creativebug. I particularly enjoyed this little DIY lesson on how to create some yarn-wrapped wire words. (I gotta try this... I can envision an "eSheep" hanging on my wall!)

DIY: Yarn-Wrapped Wire Words - Creativebug.com
Image courtesy of Creativebug.com...

Having recently delved into the world of fabric design, I also found this little interview with Amy Butler rather interesting, as she talks about what inspires her.

Fabric Design Inspiration from Amy Butler - Creativebug.com
Image courtesy of Creativebug.com...

Speaking of fabric design, there is also a substantial class (I believe it's nine hours of video in total) produced in association with Spoonflower that takes you through the whole process of designing and producing fabric, led by Denyse Schmidt, Heather Ross and Lizzy House.

And finally, what would I jump into if I were to become a paying customer of Creativebug? Well, Betz White offers this class for a neat looking "flight bag".

Betz White Flight Bag Class on Creativebug.com
Image courtesy of Creativebug.com...

So Creativebug has obviously managed to recruit some big names to provide content. That's always encouraging. And this doesn't have to be an "either or" competition thing, as there is likely a niche that Creativebug can fill in the crafting arena.

There is no question in my mind, however, that Craftsy is king right now. The indie pattern support that Craftsy offers is truly one of a kind for new designers. (I know that I'm forever grateful.) Craftsy also offers the "one stop shop" experience by selling supplies and materials, most notably complete kits for some of their most popular projects/classes. Right now, the classes offered on Creativebug require you to go out and gather up your own materials. (I should also mention that the classes on Creativebug are significantly shorter than most of Craftsy's classes. Again, it could be a niche thing: some people may not want to commit to five hours of video instruction before completing a project.)


Creative Video Workshops on Creativebug.com


The most significant difference between Craftsy and Creativebug is the fee structure. Craftsy is pay as you go. You buy what you like and you have it for life. (Not to mention that unprecedented money back guarantee on classes.) Creativebug is subscription only for a buffet style feast... you have access to everything, but only for as long as you keep paying. When I first saw it, the fee was a somewhat reasonable $9.95 per month. It has now been chopped to a very competitive $4.95 per month. (Although I daresay that as a Canadian who has seen the country's currency drop roughly 20% in value against the US greenback over the past year, your mileage may vary depending on where you live!)

Not only that, where I first saw a conundrum, there is now a solution.

I had originally thought that for the monthly fee (which at the time was $9.95), I could get the Betz White class to make that neat looking flight bag, but I had better do it within a month's time. If not, as the months go by, I would end up paying more. If I decided to stop, I would no longer have access.

Along with the drop in price, Creativebug introduced a new feature that allows you to earn one credit per subscribed month to apply to "keeping forever" a class of your choice. I don't know about you, but that makes a heck of a difference to me in terms of how appealing this service is (or can be)! Now, even if I subscribe for only a month or two, I can get something of value to keep.


Watch live classes for FREE at CreativeLive!

[affiliate link]


The premise is still that the new classes added every month at Creativebug will entice me to stay. If I am an active crafter with an interest in a range of crafting such that the new content appeals to me, that arrangement may keep me around, particularly at the new price point. But if I am only interested in one thing, I now have the option to sign up and then be done with it after I've earned my single credit to keep that class. I think that works.

The matter of how relevant the new, on-going content will be to subscribers remains to be proven over the long haul. For those of us who are familiar with having to create enticing content on a regular basis, a month is a relatively short time... it will definitely be interesting to see if Creativebug manages to grow and prosper. In the meantime, it's definitely worth it to go and take a look.

Creativity is Contagious - 1 month free

To that end, shown above is an offer that even I couldn't refuse... complete access to all of CreativeBug's content for one month until June 30, PLUS you get to keep one class of your choice FOREVER (and yes, it's the Betz White Flight Bag class for me). I can't help but think, however, that they may be having difficulty drumming up business when offers like this are thrown out so soon after a reduction in price. Either way, take advantage while you can... I will definitely be taking a few days to "craft like crazy" and absorb as much content as I can! (Oh, and before I forget to mention, the promo code for the above offer is SUMMER2015.)

Having said all that, I will close out the post with a sobering thought: from an affiliate standpoint, I simply cannot recommend Creativebug right now.

9.95 sub price

You see the above banner? And the price on it? It's the only banner they have that shows a price and — despite at least two emails from me via different avenues, the last one on March 4 — the company does not apparently think well enough of itself to provide relevant, current affiliate banners or to answer inquiries from members of its marketing chain. Not responding to emails (apart from an autoresponder) is unacceptable for an online business trying to grow itself... especially when explicitly told that a blogger has a post planned to promote them. It's actually mind-boggling. I won't go to the actual trouble right now of "un-affliliating" myself, but you get the picture.

As a counterpoint, I contacted Craftsy about a PayPal chargeback... on Easter Friday:

Craftsy responded to my inquiry within an hour and a half on GOOD FRIDAY!

Now that's customer service! (And yes, the problem with the site was resolved on the day promised. Not only that, "Bob" and I exchanged yet another message over that Easter weekend.)

What do you think of that?


Saturday, 23 May 2015

New Pattern Release: Bodaciously Basic Bucket Bag

Bodaciously Basic Bucket Bag by eSheep Designs
My reversible Bodaciously Basic Bucket Bag in two styles...
On March 13, I wandered over to Shades of Bold and saw Marilyn's totally awesome collection of bucket bags. It's not often that I see something and immediately want to make it, but this time — within a week — I had made my own version of a bucket bag out of waxcloth.

Three weeks later, I had a first draft of my own bucket bag pattern, which I am introducing for sale today: the Bodaciously Basic Bucket Bag! (LOL — I have such a ball naming these things!)

What you actually see here are two reversible bags, in two different styles. (Make this bag and you've instantly got two looks in one — a bargain, right?)

The first "set" of bags — in some wonderful fabric that was gifted to me by my reader Jake — are reversed versions of each other, done with a grommet closure.

Bodaciously Basic Bucket Bag by eSheep Designs
Bodaciously Basic Bucket Bag in grommet style...

The second "set" of bags — in Robert Kaufman fabric from my Craftsy Far East Mystery Box — are also reversed versions of each other, with a "fabric loop" (belt loop type) closure. (By the way, Craftsy's Memorial Day sale is happening right now; I saw similar RK fabric at a great price.)

Bodaciously Basic Bucket Bag by eSheep Designs
Bodaciously Basic Bucket Bag in fabric loop style...

Apart from the reversible feature and the two different closures, you can see that there is an option to add a contrast fabric at the base, two types of pockets and an interesting multi-fabric take on the strap. Let's just say that the number of variables and possible combinations almost allowed this pattern to run away from me, but this is definitely your opportunity to craft a bucket bag that is customized to your particular tastes.

And the truly best part? Bucket bags are so easy to make in the first place! (Hence the "basic" part of the Bodaciously Basic Bucket Bag name.)

The PDF for this bag pattern tops out at 47 pages, with over 125 photos (!) to help you cruise through the project. Included is a fabric planning page for you to print out so that you can keep track of what fabric is being used for what element. (I found it extremely useful given the number of options.) I've also included hints for further customization in case you get hooked on making bucket bags!

Bodaciously Basic Bucket Bag by eSheep Designs
Sample pages from PDF...


Anyone who purchases the pattern between now and next Saturday at 01:00 MDT will be entered into a draw to win back the purchase price!
AND THE WINNER IS... Craftsy Member NOMESIE!


Pattern Tester Bags


Nekane — my primary pattern proofer/tester — shares her tremendous results here... don't you just love her butterfly (or is it a bee?) embellishment?

Bodaciously Basic Bucket Bag by eSheep Designs crafted by Nekane
Nekane's BBB bag exterior side features a base accent fabric...
(and the afore-mentioned lovely embellishment) 

And the reverse side of her bag is here... I think she has illustrated a good lesson on how to use a fabric with a large print. Sometimes we don't know what to do with such fabric, but here you can see how to achieve great results by featuring an actual print component on each half of the bag. Ingenious!

Bodaciously Basic Bucket Bag by eSheep Designs crafted by Nekane
The interior side features two distinctive leaf patterns... (fabric is IKEA's Gurine)

Krista's bag is — and I didn't even plan this — the one with the fabric loop closure. She apparently took the bag out for a "photo shoot" with water and rock features to play up the fabric's nautical theme. :-)

Bodaciously Basic Bucket Bag by eSheep Designs crafted by Krista
Krista's bright blue toned bag sitting on top of a copy of "American Practical Navigator"...

Krista spoke with me ahead of time about adding a flap to her patch pocket. Nice addition, don't you think? I also noticed that she made herself a cord lock out of her fabric, which you can see in this next photo here of the reverse side of her bag.

Bodaciously Basic Bucket Bag by eSheep Designs crafted by Krista
The reverse side of Krista's bag... 

Many thanks to these two ladies for taking the time to test this pattern thoroughly. Oh, and on theme of "testing", I also want to thank Norma for providing feedback on the first draft of this pattern.

Bodaciously Basic Bucket Bag by eSheep Designs

How Big is this Thing?


The Bodaciously Basic Bucket Bag finishes to an approximate height of 11", with a 10" x 6" base, or 28cm high x 25.5cm x 15cm.

The strap is adjustable to three different lengths to accommodate regular and crossbody use; drop length ranges from 19” (48cm) to 23” (58cm), depending on the style of the bag and the type of ring or swivel snap hook you use to connect the strap. The grommet closure style has the longer drop. (Instructions are provided to make a longer strap if that's your preference.)

Who is this Project For?


Anyone! Truly, nothing is too difficult to do here. The whole idea of a bucket bag is so simple: it’s just an open-ended box in terms of construction. Boxed corners — if you’ve heard of them but have never done them — are simple to do as long as you can refer to a good picture or two. This project will also involve the installation of zippers, snap fasteners and grommets (or eyelets), although — as is my practice — there are options to finish off the bag without any of them if you wish.

Oh, and if you don’t like curves, this bag is for you! All of the sewing is straight lines and the construction pieces are all rectangular in shape, so this is can be considered a beginner project.

How Long Will this Project Take?


It will probably take you longer to decide what to do with this pattern than to sew it up, but let's call it a leisurely weekend project. The more familiar you are with the construction of bucket bags, the faster this will go for you.

What do I Need to Make this Project?


Requirements for this project:
  • 7" (18cm) standard zipper(s) - one for each zippered (optional) pocket
  • 4 metal snap fastener sets for adjustable strap
  • 1/2 yard/metre fusible fleece
  • 1-1/2 yards/metres in total of fabric or approx 5 fat quarters
  • 2 rectangular rings or 2 swivel snap hooks with a 1.25" (3cm) opening
  • Peltex (or equivalent) - 6" x 9" or 15cm x 23cm
  • Twisted cording - about 45" (114cm)
  • 1 circular ring with 1.25" (3cm) opening for optional hanger for keys or bag bling
  • Small amount of hook & loop (aka Velcro) tape for patch pocket closure if desired Decor Bond (or medium weight fusible interfacing of your choice)
  • 14 grommets/eyelets (with setting tools) - 1/4" (6mm) (optional)
  • Cord lock (optional)
  • Pins, clips, ruler, fading marker, your sewing machine's zipper foot, iron, pressing cloth, rotary cutter & mat, etc.
  • Matching/contrasting thread


Want the pattern?
Use the PayPal button below to purchase this PDF for $6.99.
Please allow up to 24 hours for me to send it to you;
check your SPAM folder if not in receipt after that time.
If you want immediate access and don't mind paying a higher price,
you can purchase from Sew Thankful.

NOTE: Due to the nature of digital products, all PDF sales are final and non-refundable.


TERMS OF USE

If you are "sew" inclined, feel free to make and sell as many Bodaciously Basic Bucket Bags as you care to; I only ask that you credit me and this blog by attaching the following card to the item.

eSheep Designs swing tag




Saturday, 16 May 2015

Sharing Some "Techspertise" — Fabric Design with PSP

Today I'm going to talk about designing fabric using a version of a photo and graphics editing program that came out in 2003. That's right, it's not a typo: 2003.

It's Paint Shop Pro version 8.10, back when it was put out by Jasc Software. Corel Corporation ate up Jasc in an acquisition that took place in 2004 and continues to this day to release new versions of PaintShop Pro.

Some background... last October, I noticed that the most recent version of PaintShop Pro was on sale for $49. Given that I had been toiling away with this old version of PSP for over ten years (and had been a user of PSP since 1998), I thought it was time to upgrade. I had read about some of the "new features" and was quite interested in one improvement in particular: the ability to select and remove backgrounds [more] easily. It's one of the functions that I use most often to enhance my marketing photos.

As in, to go from this... to this:

Hot Hues Convertible Crossbody Fooler Bag by eSheep Designs
This process is a painstaking task sometimes...

The new version promised a selection tool that would be more intuitive in terms of correctly guessing what was background and what wasn't. While I waited for delivery of my copy of PSP X7, I downloaded the free trial copy online and was ultimately disappointed. It was still a pain in the butt to select the background in a lot of cases and for some reason, the program did not respond to certain key presses (the Delete key most significantly), which I found extremely aggravating. And then it simply just died on me and refused to run. Long story short, I returned the new copy and stayed with my old standby from 2003.


Check out crafty classes at Creativebug!
[affiliate link]


I then found out that this old version of PSP is available for free, on a site called OldVersion.com. (As are a bunch of newer old versions.) I downloaded and installed a "Try and Buy" version 9 as a test of the site. Everything went smoothly and I was able to remove it without issues. From what I've researched, OldVersion.com is a safe place (at least, at the time of this writing it is). However, it will always be the case that you need to be vigilant about using security and virus detecting programs whenever you download anything.

I called upon my Kaspersky to give me this summary as a check... here is the history on the PSP version 8 file (which I didn't install because that's the version I have):

Kaspersky Application Advisor gives a green light to the PSP installation file...

If you're looking for an image editing program that'll do more than the basics — but not so much that you'll be overwhelmed by the very thought of it  — I highly recommend PSP. That I've been using it for this long says something.

What do I use it for the most? Re-sizing photos. Adjusting brightness and contrast, especially before printing. (My experience with digital cameras is that they take photos that are too dark; they look fine on screen, but not as a physical print.) Using layers to add text without affecting the original shot. And of course, replacing backgrounds. (I've gotten quite proficient at using my mouse to draw outlines around things!)

In comes in handy for other unexpected things, too. In an early blog post, I showed how I used PSP to mock up the fabric allocation for my Professional Tote...

CG image of what my bag might look like, front and back...

And of course, my most recent experience with PSP was when I was designing my Spoonflower fabric. (Whew! It's taken me the better part of this blog post to ramble back to the topic at hand!)

Here is a screen by screen summary of how I came to put together my coral, mint, black and white fabric entry for one of Spoonflower's weekly contests. (We were given the RGB codes for the colours; generally, all graphics programs will allow you to enter those codes directly.) I started with a blank 4" x 4" square — set up at the minimum resolution required by Spoonflower: 150 dpi — and then used the bucket tool to douse it with the mint colour. Mint was an arbitrary choice for the background; I could have gone with any of the four colours.

Coral/Mint/B&W Chevron by eSheep Designs
Using the bucket to "dump" the mint colour onto the background...

Since I'm going backwards to share this with you, ignore the fact that you already see other layers besides this Background layer in the above picture. The next step would be to create (each) subsequent layer(s) and then add individual elements to them.

Coral/Mint/B&W Chevron by eSheep Designs
Adding a layer on top of the background...

My idea was to create a series of chevron stripes in the required colours and then shuffle them up and down until I found something that appealed to me. So my first layer — called Chevron 1 — was a couple of stripes in coral. I used the pen tool to draw the outlines for the stripes and then filled them in with colour. The grid that you see (which I don't normally turn on) ensures that my lines are even.

Coral/Mint/B&W Chevron by eSheep Designs
Adding the coral chevrons on the first layer...

The second layer — Chevron 2 — would contain yet another series of stripes in another colour: black.

Coral/Mint/B&W Chevron by eSheep Designs
Adding black chevrons on the second layer...

So of course, all that's left is to put some white chevrons on the third layer.

Coral/Mint/B&W Chevron by eSheep Designs
White chevrons on the third layer...

In the above picture, the second layer has been turned off so you can better appreciate what exactly I was doing at the time. Do you see that the top coral chevron has been sandwiched — and subsequently made thinner — by two white chevrons?

Coral/Mint/B&W Chevron by eSheep Designs
All layers displayed in original order of creation...

Here I've turned the second layer back on so that you can see the black chevrons. This is now one variation of the design that I could have gone with. But I moved the third layer down and preferred this version...

Coral/Mint/B&W Chevron by eSheep Designs
Change up the positioning of the layers to get different design variations...

I know, there's hardly any difference; I actually don't remember why I ended up going with this version over the other!

But there you have it: the idea of "designing" fabric can be as simple as that. This was done strictly for Spoonflower's contest, so I did not spend a lot of time at it. I didn't go in having much of a plan other than the idea of chevrons, which is why I put each colour on its own layer. I figured that by shifting the layers up and down, I would quickly find an arrangement that was pleasing.







The final step is/was to save the file as a JPG, which can then be uploaded to Spoonflower, at which time I could choose how I wanted the basic pattern to repeat. (There are three different ways for a tile like this to be repeated.)

Unfortunately, I discovered that the two sides were not quite even. It was out by just a tiny, small amount, so I went with a "cheat" to fix it: I added a mint border around the whole JPG so that my chevrons would end up as disconnected pieces.

Coral/Mint/B&W Chevron by eSheep Designs
Adding a small border around the design to "fix" my problem...

And here is the actual fabric... it's fairly representative of the screen colour, don't you think?

Mint, Coral, B&W Chevron fabric by eSheep Designs
Like it? It's for sale in my Spoonflower fabric shop...

For my sunshine floral fabric, I started with a drawing on paper, scanned it as a JPG and then opened it up with PSP. I then used the pen tool to trace elements of the original drawing onto different layers. (Where elements overlap, it's important to put them on separate layers so you can experiment with shuffling them up and down.)

Creating fabric using Paint Shop Pro (eSheep Designs)
Three of the layers that I used to create my Sunshine Floral fabric design...

And then, of course, there is the option to design from a photograph. My lighthouse fabric is from a photo. (And you'll never guess what my winter webs fabric is actually a picture of... maybe I'll blog about it some day.)





Saturday, 9 May 2015

Origami Ribbon Coin Purse

Origami Ribbon Coin Purse crafted by eSheep Designs
Origami inspired coin purse made with ribbons...
For Mother's Day last year, I made Mom a test version of what would become my Hot Hues Convertible Crossbody Fooler Bag (pattern).

I wasn't intending on making anything for her this year, but I was doing some maintenance on my project folders on the last day of April and ended up at Sew4Home. Then — of course — I started to browse. (Danger, danger! Time waster!) I came across this tutorial for what they call a Vintage Coin Purse made out of ribbons.

It seemed a nifty little item — a throwback to origami (which I've always found very fascinating) — and looked like a fun project.

Except for the part about the ribbons.

Origami Ribbon Coin Purse crafted by eSheep Designs
A cute way to keep your coins or small jewelry...

Here's the truth: at first, I thought — there's no way in bleepity-bleep that I'm going to go to the trouble of making this with ribbons! There must be a way to do it with fabric! Just seeing the pictures of the strips being laid out tediously one by one and then being sewn individually onto the interfacing looked liked a whole lot of work that I wasn't prepared to do.





But then I reconsidered, particularly since I had recently picked up some spools of ribbon for no particular purpose. With no plans for said ribbon, why not try this in the manner in which it was meant to be? After fishing out a scrap of that black and white duvet cover fabric that I used for the lining of my waxcloth bucket bag, I decided to give it a go... the next day.

Origami Ribbon Coin Purse crafted by eSheep Designs
Actually, after I printed out the pattern piece, it occurred to me that it wasn't going to require
a ridiculous number of ribbons to cover...

Refreshed from a good night's sleep, I was quite productive the next morning and feeling less antagonistic towards ribbons. ;-)

Origami Ribbon Coin Purse crafted by eSheep Designs
In this case, eleven strips of ribbon are pinned onto the non-fusible side of the interfacing...

I tried gluing instead of pinning the ribbon, but the glue I had didn't take. No biggie. Pinning is preferable anyway since the ribbons may shift a bit as you sew them on, so it's advantageous to be able to adjust them.

By the way — and this is an important "by the way" — if you cut your interfacing as they describe, you will need to cut your lining with the pattern piece REVERSED. I have finally learned my lesson about any shape that's not rectangular or circular: when cutting from a single pattern piece, if you need one for "the other side", reverse it!

Origami Ribbon Coin Purse crafted by eSheep Designs
Reverse the pattern piece when cutting the lining!

Now this isn't how the tutorial describes how the ribbon should be sewn down, but this is how I did it: I zigzagged the ribbon edges, effectively joining two adjacent ribbons together with each pass. Here I'm showing you the back so you can better see the stitching.

Origami Ribbon Coin Purse crafted by eSheep Designs
I did a zigzag stitch on the edges of the ribbon to secure them to the interfacing...

And even the most experienced seamstress finds it a hassle to keep a perfect seam allowance around lazy curved corners. A few instances of "connect the dots" does the job for me.

Origami Ribbon Coin Purse crafted by eSheep Designs
I can sew along a line much better than I can "imagine" a line...

Trimmed, turned, fused and ready for topstitching...

Origami Ribbon Coin Purse crafted by eSheep Designs
The interfacing is now fused to the lining...

The folding part can be a bit confusing...

Origami Ribbon Coin Purse crafted by eSheep Designs
Since it's origami, now it's time to fold...

Attach snaps...

Origami Ribbon Coin Purse crafted by eSheep Designs
I used the "feel and press" method of positioning the snaps...

And here it is loaded with some loonies and toonies and other coinage...

Origami Ribbon Coin Purse crafted by eSheep Designs
Hope Mom likes her Mother's Day present!

And I must say, it was a quick and easy project after all. My zigzag method cut down on the amount of time spent attaching the ribbons, and I don't think the final look of the item suffers from it. I would not hesitate to do it again that way.

So I did. Here is a second one, with the "order" of the ribbons reversed. (The lining on this one started life as a Walmart tea towel.) Instead of snap fasteners, I used a couple of buttons as trim...

Origami Ribbon Coin Purse crafted by eSheep Designs
I have nice buttons that I want to use for items like this...

... and added a hook and loop closure underneath...

Origami Ribbon Coin Purse crafted by eSheep Designs
These adhesive hook and loop "dots" are not recommended for fabric but they're holding like crazy!
(I will still hand sew around them, however...)

By the way, my ribbons were 7/8" and 5/8" and I think that combination works quite well, considering the size of the finished item. (And if you're wondering about the colours, they are more or less as you see them: light pink with a taupe-y grey. Since this was originally posted, I've also made a couple more with different ribbons.)

Wanna know something? I'm now inspired to re-make my wallet with this ribbon as the exterior...

And of course, Happy Mother's Day to all the moms out there. If you haven't yet found a gift for your mom — or yourself — check out Craftsy's latest sale with "up to $20 off" classes. I found some interesting new ones (working with oilcloth and more organizers from Annie Unrein).




Saturday, 2 May 2015

Surprise & Success Through Pride & Prejudice

Pride & Prejudice fabric by eSheep Designs
This is my first Spoonflower sale!
A little less than two months ago, I created a Word doc with some of my favourite excerpts from Jane Austen's Pride and Prejudice.

At the time, I had been re-reading the book and immersing myself in some of the modern "variations" on the story (essentially published fan fiction). A few weeks later, I also picked up the 2005 Keira Knightley and Matthew MacFadyen movie adaptation and ran it on an endless loop while I sewed my bucket bags. (When I get "into" something, I go deep.)

Anyway, this is all a preamble to saying that I'm fascinated by fabrics featuring text and script. I can't explain why; maybe it has to do with the writer in me. So when I was considering what my next foray into fabric design might involve, I thought: why not combine a couple of passions?







I first picked up Pride and Prejudice in the early '80s and it quickly became my favourite story to read and reread. (In my pre-eReader days, I would take the book whenever I went on holidays, knowing that I could open it up at any page and start reading without feeling lost.) Unlike many other books that I've enjoyed, I actually remember quite a few very specific passages from it. Therefore, what better way incorporate text into a fabric design than with quotes from my — and many other people's — favourite book?

Here are a couple of screen shots of my fabric design process using Paint Shop Pro. (I have an upcoming post that describes in more detail how this works.)

Designing fabric with Paint Shop Pro
Step 1: Create individual text passages in varying sizes,  highlighting specific words and phrases...

You can actually read some of my favourite P&P passages in the above. (And here I must admit that Mr. Darcy and I share a few things in common. That line about "my good opinion..." is true for me too, dreadful to say!)

Designing fabric with Paint Shop Pro
Step 2: Create overlay with larger names and dial down the intensity of the text passages
(the background here is white, but I eventually used three different background shades)...

By March 21, I had finalized a set of designs as a tribute to P&P and uploaded them to my shop. I ordered my sampler a couple of days later, and with that, the designs were officially available for purchase by anyone.

Of course, not that I was really expecting any actual sales. However, a gal can put her ducks in order and hope, right...?

Pride & Prejudice Spoonflower fabric by eSheep Designs
My Pride & Prejudice fabric sampler from Spoonflower...

I received the above sampler on April 13. A week later, I received the following email from Spoonflower.

Spoonflower email
Notification of my first Spoonflower sale! 

Was I excited? What do you think??

When my cell phone beeped, my hubby said, "Another sale?" (referring to a pattern sale). When I replied that yes, it was a sale, but that it was my first FABRIC sale, I don't think he fully grasped the significance, although he was pleased for me.

In contrast, when I shared the news with Christine of ChrisW Designs a few days later, she gave me an enthusiastic "WOOHOOO!" all the way from Australia.

Now that was more the order of excitement that I was feeling!

P.S. Those who are fans of P&P can appreciate the irony of my "accomplishment". There is a segment in the novel where Bingley declares his awe at how "accomplished" all young ladies are... something about how they "paint tables, cover screens and net purses". That period of English civilization seems to me a terrible time to live in (regardless of how much I enjoy P&P as a story), because being a woman meant the best you could hope for was to marry well for love... and none of that was ever under your own control. But I have to laugh at how my latest achievement could have put me in higher estimation in the eyes of those who cared about such things. I can just hear it now: "Oh, she designs fabric too!"

P.P.S. I made my second sale of the black version of the fabric yesterday!

UPDATE: Want to see this fabric turned into something neat? Check out the hat and the scarf!