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Saturday, 30 July 2022

Catharsis Through Creativity

Number 10
A tribute to the famous number ten of my youth...
About six years ago, I wrote about how our moms and dads help shape who we are. While my mother did not encourage me to sew, or even teach me to sew, she was an accomplished seamstress, so some of that had to have influenced me.

What I didn't mention in that post was the fact that my dad was responsible for my becoming a rabid hockey fan during those halcyon days of the 1970s.

In April of 1973, I must have crossed in front of the TV too many times while my dad was trying to follow a playoff game. He asked me to sit down and watch and said that maybe I'd like it. (Not that it was my first introduction to our national obsession; I'd had a casual interest in hockey ever since I learned how to skate.) He asked me which team I wanted to win and — in my simple juvenile way — I declared that of course, I had to cheer for Montreal because they were from Canada. Little did I know at the time that most teams from that era — regardless of which American city they represented — consisted mainly of Canadian players.

Guy Lafleur Skinny Fleece Scarf by eSheep Designs
Skinny single fat quarter scarf...
What I also didn't know at the time was that my dad had a preference for the other team on the ice. Luckily for me, he didn't exert any influence to get me to change my allegiance. That would have been a bummer since the Buffalo Sabres have still never won a championship and quite frankly, have arguably never been as good as they were back in the 1970s.

Call it fate, call it destiny, and certainly call it the luck of having been born at the right time, but almost fifty years on, I am so thankful that I picked the right team to cheer for. Not only did Montreal win the Stanley Cup the following month, they would go on to win four more times before the decade was out. During those years, I followed the team — and hockey in general — like it was my religion. Any fan old enough to remember those Montreal Canadiens understands how special and unique that period was. That was clearly evident in the outpouring of emotions that followed after we lost the heart and soul of that team to cancer this April.

For those who actually saw Guy Lafleur play, it suddenly hit home that they belonged to a privileged and enormously fortunate group of fans.




In the days following, I felt the need to have something tangible as a memento. (Aside from memorabilia that I still had from the 1970s.) In the immediate aftermath, I made a hanging "door plate" with an actual number ten on it.

Guy Lafleur fabric by eSheep Designs
Fabrics to commemorate Lafleur...
In my heart of hearts, however, I was really wanting something wearable. Something that would be instantly identifiable, that would communicate to like-minded others that I am part of that cohort.

Out of curiosity, I visited the NHL's online shop and found a lot of overpriced gear there. While the merchandise was official, it seemed crazy stupid — to me, anyway — to spend that kind of money on t-shirts and stuff that frankly didn't even look all that great. (The lowest price point that I found was a pair of socks selling for $22.99.)

One of the main reasons I've lapsed as a hockey fan over the past thirty years is the blatant and rampant monetization of everything related to the sport. The sheer passion and quintessential love of the game that used to be so honestly front and foremost is missing from today's version of professional hockey. With the in-person experience now being ruined by eardrum-splitting techno music and an incomprehensible desire for noise for the sake of noise, it doesn't help the cause that the on-ice product in this salary cap age is slowly being eroded by questionable officiating and momentum-sucking video reviews.

I guess you didn't figure on getting a sports editorial when you stopped by today, did ya??

Anyway, enough background. If you're still reading — and I would totally get it if you tuned out many paragraphs ago — the actual subject of today's post is the Spoonflower fabric that I eventually designed and how the creative process restored me.

Guy Lafleur fabric by eSheep Designs
This is actually an amalgamation of two separate designs originally created for a banner...

By late May, I knew that I wasn't ever going to buy any official merch. High prices notwithstanding, none of it appealed to me; the designs were boring beyond belief. Instead, I looked up the colour codes for the Canadiens' particular shades of red and blue and opened up my trusty Paint Shop Pro, determined to channel my feelings into some original designs.


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My first idea was to create a print that would translate well into a statement scarf. I was quite happy with how my skinny single fat quarter scarf worked out last Christmas and wanted to make another, also meant to be given away as a gift to a special person.

Guy Lafleur Skinny Fleece Scarf by eSheep Designs
An inexpensive option for a scarf...

The basic design features large white lettering on an alternating blue and red background, with coordinating flower and number "10" embellishments. (Lafleur of course, means "the flower" in English.)

Guy Lafleur Skinny Fleece Scarf by eSheep Designs
Making my own "merch"...
This one repeats exactly twice on a 28" x 18" fat quarter of fleece, which will produce a finished scarf measuring 4" wide x 58.5" long, or about 10cm x 148.5cm for my metric readers. The actual length will vary slightly depending on how much white border there is and how it's used. (I did the same thing as I did the last time and put it in the middle of the scarf, using the space to display my designer tag.) This one, however, is about an inch longer than the one I made last Christmas.

In terms of the sewing, this time I only zig-zagged the white area and the two ends. For the straight edges, I used a regular straight stitch. (Doing a prolonged zig-zag stitch is hard on the sewing machine, not to mention that it also uses a lot of thread.) The fleece does not fray, so it really doesn't matter what stitch is used.

Preserving an autograph...
A larger version of this same design features a single repeat on a fat quarter. For my one-time order of this piece — to make a 9" wide scarf for me — I superimposed a personalized autograph on the "R".

[Aside: I've said many times here that Spoonflower fabric is perfect for preserving personal memories like handwritten notes, recipes, doodles. You don't have to be artistically inclined to upload a simple scan of something and have it be preserved for posterity. What's more, if your piece is small enough to fit on an 8" x 8" swatch, it'll only cost you five bucks.]

For my own scarf, I used both of the other fat quarters shown, cutting them in half and arranging them to get this look...

Guy Lafleur scarf by eSheep Designs
Two fat quarters to make a 9" wide scarf...

This time, I aligned the larger part of the white border at the ends to allow the addition of a short fringe. The two fat quarters produced a scarf with a more substantial girth, but the overall length is still about 59".

Since the fleece material has a bit of weight and heft, the scarf can actually be worn with one or the other side showing (i.e., it's reversible), or one of each if twisted in the back.

Guy Lafleur scarf by eSheep Designs
The two designs create a reversible scarf...

A statement piece is generally defined as the first thing that someone notices about your ensemble. I'll have to wait until cooler weather to see how well this scarf performs in that sense, but I get the feeling it might spark some discussion.

I will say for certain, however, that the whole process of creating this — the designing part on the computer and the cutting and sewing of the actual scarves — was a meaningful journey in itself. I've heard various people say that they don't have a creative bone in their body. The real story might be that they've never felt the need to be creative, but we all have the capacity.

I also believe harnessing one's creativity is an effective way to heal and re-energize one's spirit.


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Some folks say they can't understand how the death of someone whom you really don't know can affect you so deeply.

I don't claim to have the full explanation, but in my case, it has to do with those tenuous ties to the past. I think we retain a connection to our younger selves — to essential innocence, to family, to safety (for those of us who were fortunate enough to have all of that) — as long as the people who played starring roles in our stories are alive. When the important people of our youth die, little bits of ourselves crumble into dust right along with them, snapping the threads that connect us to days gone by.

Guy Lafleur scarf by eSheep Designs
It's indeed a statement scarf...

Immersed in various 1970s era hockey videos recently, I've been transported back to truly simple times. More significantly, I've also revisited that day in April 1973 when my dad told me to sit down and watch. Who would have figured that it would be such a seminal moment, leading to a decade of spectacular memories that I feel privileged to have?

To take it further, who would have figured that just short of fifty years down the road — because of that moment — I would end up writing about making a scarf with Guy Lafleur's name on it?

In truth, it's so utterly bizarre, it can only be destiny.

'Til next...

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